5 Of The Best 35mm Lens For Nikon Full-Frame Cameras

For professional photographers, 35mm lenses are the go-to camera lenses. A lot of people will, however, be hard-pressed to find the difference in pictures that a 35mm lens and a 50mm one will yield. Both pictures look the same, and you might be wondering if it makes sense to go for the 50mm one rather than the professional 35mm one.

For starters, whatever the 5omm lens can do, the 35mm can pretty much match up to its older sibling in terms of optical performance. Moreover, it is capable of even more because of its full-frame architecture. With this lens, anything is possible from travel photography to even take portraits.

Some great features of the 35mm lens are its field of view and angle of view. These factors enable you as a photographer to capture much more detail as opposed to 50mm, or rather nifty-fifty. So what are some of the best 35mm camera lenses out there? Well read on and find out.

Best 35mm Lens For Nikon Full-Frame Cameras 

​#1 ​Nikon 35mm F/1.8G ED

Rating

Pros

CONS

  • Lightweight

  • Cheaper

  • Barrel distortion
  • Features a lot of plastic components

Review

The Nikon 35mm f1.8G is one of the best camera lenses compatible with Nikon full-frame. This lens is highly recommended by pro-photographers who use Nikon FX DSLR cameras when looking for detail when taking wide angles as well as portrait pictures.

The lens is fitted with Aspherical lens and Extra-low dispersion glass components that eliminate flare and ghosting in your pictures. This will result in sharper images and higher definition for your photographs even when the environment has immense lighting.

The autofocus on this lens is also phenomenal and smooth. You will be able to take perfect pictures with ease once you have your camera equipped with this piece of equipment.

​#2 ​Sigma 35mm F/1.4 Art 

Rating

Pros

CONS

  • Affordable
  • Fast focus
  • Heavier
  • Manual calibration is required

Review

There are quite a few reliable and worthy third-party camera lenses on the market today. A lot of people would rather go for tried-and-tested products rather than experiment with what some would call unknown territory. Sigma, fortunately, proves itself rightly with plenty of cool features that will make your pictures burst with life.

The Sigma lens is a piece of art, to say the least, and it can go head-to-head with other notable camera lenses like Nikon’s 35mm. To do so, it has an impressive build quality and is an ultra-fast prime lens. It will also give you remarkably sharper images. Additionally, the lens is significantly cheaper than others from established brands out there while still keeping its performance at a top-notch level.

​#3 ​Nikon 35mm F/1.4G AF-S NIKKOR 

Rating

Pros

CONS

  • Fast autofocus

  • Smooth-feeling manual focus dials

  • Very expensive
  • Plastic material is used heavily

Review

This is perhaps Nikon’s sharpest shooting lens. It is a remarkable piece of equipment and rightly so. It has, for a long time, been the go-to lens for media guys the world over. This kind of trust cannot be found without credible results which this lens seeks to deliver.

There isn’t a limit to what you can do with this lens. You could even take astronomy photos with it because the lens doesn’t have the heinous coma in previous variations of the Nikon 35 f/1.4. 

The lens works well with various digital Nikon cameras from FXs to DXs. The optics on the lens includes ten elements with a single aspherical one. This help reduces distortions and results in higher quality images when shooting travel photos or portraits.

​#4 ​Nikon AF-S FX NIKKOR 16-35mm F4g ED VR Lens 

Rating

Pros

CONS

  • Silent internal focus motor

  • Minimal color vignetting

  • Loss of sharpness at the edges

Review

The Nikon AF-S NIKKOR 16-35mm is a versatile camera lens that is suitable for a wide range of photography. With this lens, you can take superb travel photos, urban pictures, events, and even group photos.

It is fitted with Nikon’s Silent Wave Motion that makes photo-shoots incredibly low-noise as well as accurate. Forget about blurry pictures if you have this lens installed on your Nikon camera because it comes standard with a potent vibration reduction system.

Chromatic aberrations will now be a thing of the past as the lens also packs a pair of extra-low dispersion components. Simply put, your pictures will turn out beautifully with minimal distortion.

The lens takes in a wealth of color and transfers it onto your photographs. For travel photography, get ready to snap at some amazing scenes with no color vignetting whatsoever.

This lens is solidly built and feels nice to the touch. All the buttons are secured in place and will hardly wiggle about during extended use. The Nikon AF-S FX NIKKOR f4G is sure to last you a while and ensure that you will be taking quality pictures for quite some time.

#5 Tamron 35mm F/1.8 VC Lens  

Rating

Pros

CONS

  • Excellent vibration control
  • Close focus
  • Vignetting is high on FX frames

Review

Aside from established brands, the Tamron equally stands out among third-party lenses that are perfectly suited for your Nikon full-frame camera (FX). It is a prime lens with excellent vibration control that establishes clearer images.

Vibration reduction on this particular lens is phenomenal, especially since it works up to the 35-70mm range. There aren’t a lot of lenses with such mechanisms on the market; hence, the Tamron stands out among them, providing some of the best clear cut photos you can find.

The optics on the Tamron comprise of ten components arranged in nine groups. There is an element at the back of the lens, somewhere you would lastly expect it to be.

The Tamron lens isn’t particularly heavy and feels nice to handle and has excellent weight distribution on FX bodies. The focus rings move smoothly and are enjoyable to tilt through the different focus levels.

Tamron fits autofocus on the lens, and this feature works well and is suitably fast. The movement is also smooth as it slides from one point to the next. This is a visible phenomenon which you can actually see as you change focus points.

Distortions, linearly, are well managed as well as barrel distortions. Also, flaring is minimal, but one has to take into account any light sources nearby.

Conclusion

Finally, FX cameras need slightly more work as compared to their DX counterparts.  This is because of the range of pixel densities available on the cameras. However, these lenses, third-party and established brands should do the trick in producing stellar images for a variety of uses when taking pictures.

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